Update 6: Literary Arts has launched the Booth Emergency Fund for Writers and Oregon Humanities is offering emergency funding for organizations. Both have deadlines coming up in May, which have been added to the calendar below.
Update 4: Two local Relief Funds for small businesses and artists have been set up if you’d like to apply for support or offer donations. They are the Portland Small Business Relief Fund and the Portland Area Artist Emergency Relief Fund. Literary Portland is not personally associated with either of the funds, so, please direct all questions etc. to their respective organizations.
Update 2: A “stay at home” order has been issued by Gov. Kate Brown. See also this FAQ from OPB. Until the order is lifted, you can assume all in-person readings and events have been cancelled. We’ll continue to update things to match organization and stores’ calendars etc., but heed Brown’s orders and updates from officials on proper actions. Hope you all can stay safe, healthy, and cozy with a good book at home!
For details regarding specific events please contact the organizers or venues. If you are an organizer or venue and would like to reach out to us please feel free to contact us or submit an event using our submission form. We’d love to hear from you!
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CA Conrad, Allison Cobb, Demian DinéYazhi’, Introduced by Jay Ponteri, Moderated by Daniela Molnar
November 23, 2019 @ 4:00 pm - 5:15 pmFree
CA Conrad is a 2019 Creative Capital Fellow, and the author of 9 books of poetry and essays: their While Standing in Line for Death (Wave Books, 2017) received the Lambda Award. A recipient of a Pew Fellowship in the Arts, they also received the Believer Magazine Book Award and the Gil Ott Book Award. Their work has been translated into Spanish, Greek, Polish, Norwegian, Portuguese, Danish, French, and German. They teach regularly at Columbia University and at the Sandberg Art Institute in Amsterdam.
Allison Cobb is the author of After We All Died (Ahsahta Press); Plastic: an autobiography (Essay Press EP series); Born2 (Chax Press); and Green-Wood, originally published by Factory School with a new edition in 2018 from Nightboat Books. Cobb’s work has appeared in Best American Poetry, Denver Quarterly, Colorado Review, and many other journals. She was a finalist for the Oregon Book Award and National Poetry Series; has been a resident artist at Djerassi and Playa; and received fellowships from the Oregon Arts Commission, the Regional Arts and Culture Council, and the New York Foundation for the Arts. Cobb works for the Environmental Defense Fund and lives in Portland, Oregon, where she co-hosts The Switch reading, art, and performance series and performs in the collaboration Suspended Moment.
Demian DinéYazhi´ is an Indigenous Diné transdisciplinary artist born to the clans Naasht’ézhí Tábąąhá (Zuni Clan Water’s Edge) and Tódích’íí’nii (Bitter Water). Growing up in the colonized border town of Gallup, New Mexico, the evolution of DinéYazhi´’s work has been influenced by their ancestral ties to traditional Diné culture, ceremony, matrilineal upbringing, the sacredness of land, and the importance of intergenerational knowledge. Through research, mining community archives, and social collaboration, DinéYazhi´ highlights the intersections of Radical Indigenous Queer Feminist identity and political ideology while challenging the white noise of contemporary art. DinéYazhi´ has recently exhibited at Portland Biennial (2019), Counterpublic (2019), Honolulu Biennial (2019), Whitney Museum of American Art (2018), Henry Art Gallery (2018), Pioneer Works (2018), CANADA, NY (2017); and Cooley Art Gallery (2017). DinéYazhi´ is the founder of the Indigenous artist/activist initiative, R.I.S.E.: Radical Indigenous Survivance & Empowerment. They are the author and self-publisher of ANCESTRAL MEMORY (2018) and AN INFECTED SUNSET (2018), and their writing has appeared in numerous publications. They are the recipient of the Henry Art Museum’s Brink Award (2017), Hallie Ford Fellow in the Visual Arts (2018), and Eiteljorg Contemporary Art Fellow (2019).
Part of The Hallie Ford School of Graduate Studies Symposium: Art + Environmental Justice:
A free, full-day interdisciplinary symposium to promote dialog on the interplay of environmentalism, social justice, design, education, and the arts.
Scholars, activists, educators, designers and artists working on environmental justice issues will explore the politics surrounding systemic biases and the ways that environmental degradation and climate change intersect with race, gender, and class to create disproportionate outcomes on both a local and global scale.
The day’s agenda will place art and design at the center of these conversations, investigating how creative practices contribute to community and global struggles for environmental justice.