We stand with Black Lives Matter and those protesting for equality and reform. We will continue to amplify marginalized voices, and welcome all, their ideas, their events, and their words. Our words here are not enough, but we wanted to say we support you and will continue to do so through our actions.
Prior relief and support funds for small businesses and artists: NACF’s Native Arts Emergency Support Project, Portland Small Business Relief Fund, Portland Area Artist Emergency Relief Fund, RACC’s Emergency Artist Relief Fund, RACC’s page for relief resources (and updated here), RACC’s COVID-19 relief Support Beam, Literary Arts’ Booth Emergency Fund for Writers, and Oregon Humanities’ emergency funding for organizations.
Gov. Kate Brown’s “stay at home” order still largely remains in effect for Portland area businesses and gatherings (though other counties have some limitations lifted). See also this FAQ from OPB. Until the order is completely lifted for Multnomah county, you can assume all in-person readings and events have been cancelled.
For details regarding specific events please contact the organizers or venues. If you are an organizer or venue and would like to reach out to us please feel free to contact us or submit an event using our submission form. We’d love to hear from you!
- This event has passed.
Tin House Summer Workshop Readings: Rebecca Makkai, Natalie Diaz, and Mitchell S. Jackson
July 13, 2019 @ 8:00 pm - 9:00 pmFree
8:00 pm, Cerf Amphitheater– Signing to Follow
Rebecca Makkai, Natalie Diaz, Mitchell S. Jackson
Rebecca Makkai is the Chicago-based author of the novels The Great Believers, The Hundred-Year House, and The Borrower, as well as the short story collection Music for Wartime. Her short fiction won a 2017 Pushcart Prize, and was chosen for The Best American Short Stories for four consecutive years (2008-2011). The recipient of a 2014 NEA fellowship, Makkai is on the MFA faculties of Sierra Nevada College and Northwestern University, and she is the Artistic Director of StoryStudio Chicago.
Natalie Diaz was born and raised in the Fort Mojave Indian Village in Needles, California, on the banks of the Colorado River. She is Mojave and an enrolled member of the Gila River Indian Tribe. Her first poetry collection, When My Brother Was an Aztec, was published by Copper Canyon Press in 2012. She is 2018 MacArthur Foundation Fellow, a Lannan Literary Fellow and a Native Arts Council Foundation Artist Fellow. She was awarded a Bread Loaf Fellowship, the Holmes National Poetry Prize, a Hodder Fellowship, and a PEN/Civitella Ranieri Foundation Residency, as well as being awarded a US Artists Ford Fellowship. Diaz teaches at the Arizona State University Creative Writing MFA program.
Mitchell S. Jackson’s debut novel The Residue Years was praised by publications including The New York Times, The Paris Review, and The Times of London. Jackson is the winner of a Whiting Award. His novel also won The Ernest J. Gaines Prize for Literary Excellence and was a finalist for the Center for Fiction’s Flaherty-Dunnan First novel prize, the PEN/ Hemingway award for first fiction, and the Hurston / Wright Legacy Award. Jackson’s honors include fellowships from TED, the Lannan Foundation, the BreadLoaf Conference, and the Center for Fiction. His writing has appeared in publications including The New York Times Book Review, Salon, and Tin House. Jackson is a Clinical Associate Professor of Writing in the Liberal Studies Program of New York University. A well-regarded speaker, Jackson has delivered lectures and key note addresses at events and institutions including the annual TED Conference, the Yale Law School RebLaw Conference, the Sydney Writers’ Festival, Brown University, UMASS Amherst, and Columbia University. Jackson is also an advocate for criminal justice reform who has visited prisons and youth facilities in the United States and abroad.