Megan Fernandes
Megan Fernandes
In an era of rising nationalism and geopolitical instability, Megan Fernandes’s Good Boys (Tin House) offers a complex portrait of messy feminist rage, negotiations with race and travel, and existential dread in the Anthropocene. Ultimately, Fernandes’s poems possess an affection for the doomed: false beloveds, the hounded earth, civilizations intent on their own ruin.