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Kevin Maloney in Conversation With Jon Raymond

Powell's City of Books 1005 W Burnside Street, Portland, OR, United States

Provocative, poignant, and resoundingly hilarious, Kevin Maloney’s The Red-Headed Pilgrim (Two Dollar Radio) is the tragicomic tale of an anxious red-head and his sordid pursuit of enlightenment and pleasure (not necessarily in that order). On a sunny day in a business park near Portland, Oregon, 42-year-old web developer Kevin Maloney is in the throes of an existential crisis that finds him shoeless in a field of Queen Anne’s lace, reflecting on the tumultuous events that brought him to this moment. Growing up in the suburbs, young Kevin suffered “a psychological break that ripped me from my humdrum existence” mainlining high fructose corn syrup and episodes of The Golden Girls. Thus begins a journey of hard-earned insights and sexual awakening that takes Kevin from angst-ridden Beaverton…

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Free

Writing the Autofiction Novella: twelve week intensive

Online N/A, Portland, OR, United States

Autofiction is a unique genre (or non-genre) that combines the autobiographical with the fictional. In this course, we will take a close look at the craft of autofiction. We will read novel excerpts, short stories and novellas. We will also look at craft essays on the form. The goal over the twelve weeks is to work on a draft of a novella (if not a full draft, then you will get a solid head start), which can be anywhere from 20K-40K words. This course will be generative. You will be expected to write and submit a substantial amount of prose per week (1500-2500 words). We will read about 25 pages of excerpts and craft essays each week and discuss them as a group. And there…

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$595

Pushpins & Portals: Experimenting with Short Forms

Online N/A, Portland, OR, United States

Pushpins & Portals: Experimenting with Short Forms This workshop is virtual, PST Register here Pushpins & Portals: Experimenting with Short Forms In this 6-week class, we will experiment with short form creative writing. Our focus—whether it’s flash fiction, lyric essay, prose poetry, or hybrid—will be on the art of compression. Each week, participants will be given a writing exercise, a short reading, and two workshop submissions from their peers. Class time will include workshop as well as discussion of readings and craft. Our workshop will be guided by observations, questions, and possibilities. We will be thinking less about how to “fix” a piece of writing and more about what we see, our curiosities, and how to recognize hidden opportunities. Each participant will receive feedback from…

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$80 – $200

Grief, Lyrically

Online N/A, Portland, OR, United States

Writers often use musical techniques to access states of consciousness we associate with grief. Lyrical writing prioritizes music, rhythm, and emotion over the narrative arc. The goal of this course is to find entry into writing through reading, conversation,and various prompts and exercises to catalyze memory and thinking. We will consider how writers crafting stories and poetry about grief use lyricism, discursiveness, fragmentation, and silence to embody writing content through form. Participants should be prepared to write a lot! Prompts and exercises will allow students to access various parts of memory. In a short period of time, we will get to know one another and provide a sounding board for our stories in a safe space. Access Program We want our classes to be accessible…

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$155

Delve Readers Seminar: Language as resistance, words as collage: Don Mee Choi and Theresa Hak Kyung Cha

Online N/A, Portland, OR, United States

Though published many decades apart, these two texts share similarities both in their subject matter and their experimental qualities. Just as Dictee cannot be merely labeled as a memoir and DMZ Colony cannot be labeled purely as a poetry collection, both texts expand our understanding of genre by weaving together prose, poetry and photographs. Moreover, they “hold history accountable” by integrating historical events into the deeply personal, ranging from Japanese colonization of Korea to the Korean War. In doing so, these Korean American writers give voice to feelings and understandings that have often been silenced. By looking at these two texts in tandem, we will examine their use of language to resist power and silencing as well as how their experimental methods seek to give…

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$160

Writing the Weird and Wonderful

Online N/A, Portland, OR, United States

The world is a weird place, and we’re just here to document it. This course is for the scribes, the armchair historians, the miners of weird information — all of you aspiring nonfiction writers who aren’t sure what to do with your ideas, or budding freelance journalists looking to turn your ideas into sellable stories. In this workshop, students will take their bits of brilliance and turn them into finely-honed pieces of nonfiction. We’ll take an idea from start to finish: generating story ideas, discussing options for research, conducting interviews, gaining trust with subjects, writing effective pitches, outlining and playing with structure and the editing process. Discussions and lectures will focus on the building blocks of great nonfiction stories, including visceral scenes, effective interviews, interesting…

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$395

Noticing: Writing as an Act of Attention

Online N/A, Portland, OR, United States

In this class, we will drop all worry about being “writers”. Instead, we will simply use writing as a means of grounding our own attention. We will be prompted by writers who have turned their attention to the smallest noticings of life — observations of what is. Through writing together to prompts during our sessions, we will turn our own attention to the details around us – the way our skin feels against the chair, the light outside the window, a bird flying by. I will also suggest you establish a daily practice of noticing and hope that by the end of the four weeks, we each will share a rough “lyric essay” built from the fragments of our attention. Access Program We want our…

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$190

Delve Readers Seminar: Little Things: A Study of Literary Compression

Online N/A, Portland, OR, United States

“It’s the little things that count”; “Good things come in small packages”; “Brevity is the soul of wit”; “The Devil’s in the details”… We’ll put these aphorisms to the test in this Delve Seminar exploring short poems, prose poetry, and short/micro fiction. These compressed forms aren’t lacking for content in their brevity, and we will explore ways of extracting their compressed contents like we would with zip files, expanding them like dry sponges in water, receiving the full communications of their code like expert cryptographers. We’ll also try writing a few small pieces of our own to learn through direct experience just what makes them tick. Authors we’ll read include Emily Dickinson, Russell Edson, Lucille Clifton, William Carlos Williams, Matsuo Bashō, and many more. Access…

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$240

Delve Readers Seminar: Haunted Chambers: Piranesi and The Little Stranger

Literary Arts 925 SW Washington Street, Portland, OR, United States

Setting is an important aspect of every story, but sometimes it is so integral as to be almost a character in itself. Susannah Clarke’s Piranesi and Sarah Waters’s The Little Stranger explore the unsettling power of place and its influence on the human mind. Piranesi lives in the House, a fantastical, dreamlike structure where ocean waves surge through infinite vestibules, clouds float and birds fly through halls decorated with statuary, and human remains lie secreted in niches. Alone except for occasional visits from a man he calls the Other, Piranesi records his daily routines and discoveries in his journal, muses on the Other’s quest for “a Great Secret and Knowledge,” and gradually unravels mysteries that threaten to upend his fragile contentment. In The Little Stranger,…

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$240

Delve Readers Seminar: Romeo and Juliet

Literary Arts 925 SW Washington Street, Portland, OR, United States

The Oregon Shakespeare Festival in Ashland is producing two Shakespeare plays this season, Romeo and Juliet and Twelfth Night—both perennial favorites. OSF tries to make these plays fresh for contemporary audiences with inventive or provocative interpretations. These seminars will help you think through how you might stage the dramas if you were the director. How do we take a written text and imagine it on stage? For live theater, directors must ensure that every line, every gesture, every costume, every set—in short, everything the audience will see and hear—conforms to a consistent interpretation of the play. These seminars are great preparation for your trip to Ashland, and will help you get much more out of the performances. If you read Romeo and Juliet in high…

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$125
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