LitPDX seeks to amplify marginalized voices, and welcomes all, their ideas, their events, and their words.

For details regarding specific events please contact the organizers or venues. If you are an organizer or venue and would like to reach out to us please feel free to contact us or submit an event using our submission form. We’d love to hear from you!

Debra Gwartney in Conversation with Kathleen Holt

Broadway Books 1714 NE Broadway, Portland, OR, United States

Debra Gwartney joins us to read from her new book, I Am A Stranger Here Myself, published by the University of New Mexico Press. Debra will be joined in conversation by Kathleen Holt, editor of Oregon Humanities Magazine. This book is the winner of the 2018 RiverTeeth Nonfiction Prize, judged by Gretel Ehrlich. Part history, part memoir, I Am a Stranger Here Myself taps dimensions of human yearning: the need to belong, the snarl of family history, and embracing womanhood in the patriarchal American West.  Arranged in four sections as a series of interlocking explorations and ruminations, the book uses Narcissa Prentiss Whitman as a touchstone to spin a tightly woven narrative about identity, the power of womanhood, and coming to peace with one's most…

Free

The Katherine Dunn Celebration

The Urban Studio 935 NW Davis St, Portland, OR, United States

We invite you to join the Pacific Master of Fine Arts in Writing program, along with Tin House Books, to celebrate the life of Katherine Dunn. Dunn is the author of Geek Love and On Cussing, and was a member of the Pacific MFA in Writing faculty. Special guests include memoirist Debra Gwartney, editor Tony Perez, and poet Dorianne Laux. Enjoy heavy hors d'oeuvres, a complimentary drink, and live music along with stories and advice on how to cuss like a writer. Friday, March 29, 6:00 p.m. to 8:00 p.m, with a special short program starting at 7:00 p.m. at Urban Studio in the Pearl District. Contact: Pacific MFA in Writing office With unabashed admiration for our dear, brilliant Katherine Dunn, author of Geek Love…

$10

Debra Gwartney in Conversation With Apricot Irving

Powell's City of Books 1005 W Burnside Street, Portland, OR, United States

Part history, part memoir, Debra Gwartney’s I Am a Stranger Here Myself (University of New Mexico) taps dimensions of human yearning: the need to belong, the snarl of family history, and embracing womanhood in the patriarchal American West. Gwartney becomes fascinated with the missionary Narcissa Prentiss Whitman, the first Caucasian woman to cross the Rocky Mountains and one of 14 people killed at the Whitman Mission in 1847 by Cayuse Indians. Whitman's role as a white woman drawn in to "settle" the West reflects the tough-as-nails women in Gwartney's own family. Arranged in four sections as a series of interlocking explorations and ruminations, Gwartney uses Whitman as a touchstone to spin a tightly woven narrative about identity, the power of womanhood, and coming to peace…

Free

Coffee Talk #39

Online N/A, Portland, OR, United States

Come hear 5 wonderful writers read their grief words. This zoom event lasts about an hour and is guaranteed to be the best heart medicine. Join Zoom Meeting https://us02web.zoom.us/j/84596161664?pwd=UktVamJyNlpKVGNUbjcxay9EY1Y4QT09 Meeting ID: 845 9616 1664 Passcode: 395080

Free

Animals with Freeman’s

Online N/A, Portland, OR, United States

Three contributors from the new Freeman’s annual—Tess Gunty (The Rabbit Hutch), Debra Gwartney (I Am a Stranger Here Myself), and Sasha LaPointe (Red Paint)—discuss their work with editor John Freeman. More about Freeman’s: Animals Over a century ago, Rilke went to the Jardin des Plantes in Paris, where he watched a pair of flamingos. A flock of other birds screeched by, and, as he describes in a poem, the great red-pink birds sauntered on, unphased, then “stretched amazed and singly march into the imaginary.” This encounter—so strange, so typical of flamingos, with their fabulous posture—is also still typical of how we interact with animals. Even as our actions threaten their very survival, they are still symbolic, captivating and captive, caught in a drama of our framing This issue of Freeman’s tells…

Free