This class begins in September, with the goal of finishing a complete draft of a memoir by June. Participants do not need to be published writers; however, they should have some experience with elements of memoir, including character, setting, dialogue and scene, and have a clear project in mind that they will devote nine months to. They should also be comfortable in a workshop setting, giving and receiving criticism on works in progress. Contact Susan Moore at susan@literary-arts.org with questions. Access Program We want our writing classes and Delves to be accessible to everyone, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers writing class and Delve tuitions at a reduced rate. The…
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This course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels by authors including Han Kang, Tommy Orange, Lina Meruane, Mitchell S. Jackson, Deborah Levy, and Susan Steinberg, as well as craft essays by authors including Dorothy Allison, Jane Alison, and Alexander Chee. Some weeks you’ll have craft assignments to complete outside of class, and other weeks we’ll do in-class exercises together. After the first month of meetings, two students will workshop each week. Each student will have the opportunity to workshop five times, turning in up to 25 double-spaced pages per submission. Students should be prepared to read and comment on up to 50 pages…
Comments closedThis course for dedicated writers is designed to guide you through the writing and/or revising of your novel. It runs from September through May. You’ll read excerpts from published novels by authors including Han Kang, Tommy Orange, Lina Meruane, Mitchell S. Jackson, Deborah Levy, and Susan Steinberg, as well as craft essays by authors including Dorothy Allison, Jane Alison, and Alexander Chee. Some weeks you’ll have craft assignments to complete outside of class, and other weeks we’ll do in-class exercises together. After the first month of meetings, two students will workshop each week. Each student will have the opportunity to workshop five times, turning in up to 25 double-spaced pages per submission. Students should be prepared to read and comment on up to 50 pages…
Comments closedTarot, the ancient card system, is having a 21st century renaissance. With more and more artists improving upon the medieval straight, white, thin and able-bodied imagery, today everyone can find a deck that speaks to them. Whether you are a curious newcomer to tarot, an burgeoning beginner or a pro, this lecture-style workshop will walk you through the structure and meaning of the 78-cards, pausing to answer participant questions as well as offer tips for spreads and ritual as well as fascinating trivia attached to the iconic images. Access Program We want our writing classes and Delves to be accessible to everyone, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers writing class…
Comments closedCreative nonfiction utilizes non-linear structures to “think” into complex or ambiguous subjects. In this class, we will explore the relationship between form and content in memoir, deepening our practice by working with a draft of a story or essay. Outside reading assignments and in-class writing and revision exercises will encourage experimentation and writing play. We will examine lyrical essays, braided forms and collage pieces. Writing prompts and drafting techniques will allow students to experiment with organization and voice, considering when silence works to make meaning. There will be scene writing and figurative language practice. Students will have an opportunity to discuss and workshop short excerpts of their drafts in an inspired, supportive setting. This class will build upon some of the topics covered in Creative Nonfiction…
Comments closedThis class, held outdoors at Hoyt Arboretum, will guide you in practicing skills associated with shinrin-yoku, or forest bathing—a gentle, meditative approach to being with nature. The class will include several invitations to explore your senses and your relationship with nature, time for written reflection, and opportunities to share your observations and your writing, if you wish. In each class, you’ll learn approaches to writing and to being with nature that you can use in your everyday life to help promote a sense of relaxation, connection, and wonder. No prior experience with writing is required. All forest bathing and writing prompts may be practiced seated, standing, or walking, depending on your comfort, ability, and interest. Classes will be held rain or shine, so please dress…
Comments closedHow to handle time can be challenging to master when writing in any genre. When should we slow down and dwell in a scene? When should we summarize and move rapidly through weeks, years, or even decades? Should we go back in time to unpack and understand a character’s motivation? How does the manipulation of time, the unfolding of events, work in a short story, a novel, or in memoir? This workshop will explore how writers bend time to create different narrative effects. We will read work by Tessa Hadley, Rachel Cusk, Sally Rooney, Toni Morrison, John Cheever and others, as well as look at examples from TV shows and films such as Ted Lasso, Atlanta, and The Lost Daughter. After the discussion, we’ll work…
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