After an amazing and special BIPOC Adoptee showcase at the Armory in March, we’re back to our regularly scheduled programming at Tin House/Bishop&Wilde (NW 26th and Thurman)! On Thursday April 11th, we’re excited to host local luminaries Lydia Kiesling and Ami Patel and welcome Jane Wong who is traveling from Seattle to be with us. Lydia Kiesling (she/her) is a novelist and culture writer. Her first novel, The Golden State, was a 2018 National Book Foundation “5 under 35” honoree and a finalist for the VCU Cabell First Novelist Award. Her second novel, Mobility, a national bestseller, was named a best book of 2023 by Vulture, Time, and NPR, among others. It is a finalist for the Oregon Book Award. Her essays and nonfiction have…
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Spare Room Reading Series presents our annual marathon reading: Endymion by John Keats & Century of Clouds by Bruce Boone Sunday, April 7, 2024 10:00 am until we finish (probably around 6:00-7:00 pm) Passages Bookshop, 1801 NW Upshur St., Suite 660, Portland Free admission; come and go as you please Readers include: David Abel, Chris Ashby, Chris Daniels, Laura Feldman, Rodney Koeneke, Sam Lohmann, Seann McCollum, Joe Safdie, Andrew Simon, & James Yeary. ============================================================== Also Upcoming at Passages April 3 Reading by Chris Daniels. Tom De Beauchamp, & Flavia Rocha ==============================================================
Comments closedSpare Room and Passages Bookshop present a reading by CHRIS DANIELS TOM DE BEAUCHAMP FLAVIA ROCHA Wednesday, April 3 7:30 pm Free admission Doors open at 7:00 pm; no late entry Passages Bookshop 1801 NW Upshur, Suite 660 Portland, OR 97209 info@passagesbookshop.com 503-388-7665 ============================================================== Upcoming Event at Passages April 7 Marathon reading: Keats Endymion & Boone Century of Clouds ============================================================== Chris Daniels is a self-taught, feral translator of global Lusophone poetry. Tom DeBeauchamp is a fiction writer living in Portland, Oregon. His work has been published in DIAGRAM, Full-Stop, Smokelong Quarterly, and other publications. He is currently working on a novel, The Not-Vampire, about country music, industrial design, various creatures of the night, love, and family drama. Flavia Rocha is the author of four books of poems…
Comments closedJoin us monthly on zoom, on the third Thursday of the month for prompts and sharing. Register here, and we’ll send the zoom link on the day of the event. Poetry Practice Space is a monthly gathering for poets and writers. Writing materials, readings and prompts for generative writing will be provided. Come share a space to talk about your writing practice, and current writing projects, bemoan rejections, celebrate acceptances, share writing resources— and write together! Consider Poetry Practice Space the calisthenics for your poetics. Suggested donation, no one turned away for lack of funds Free for members
Comments closedJoin us for a reading from the writing faculty at PCC, a faculty of talented writers who are guiding a new generation of writers.
Comments closed*This event is in-person; Masks & Proof of Vaccination + Booster Required Sunday, Dec. 11th 1-4pm Capacity: 25 Register here Please join the IPRC and Solstice Flower Works for a restorative, playful, and relaxed space for Queer and Trans community members of all ages to spend time together making dried flower bouquets with light facilitation by Kale Hale of Solstice Flower Works; and creating pages for a collaborative zine with prompts on healing, processing grief, and celebrating queer joy. We’ll also have a community altar, reading nook with a selection of queer-authored books and zines, and tasty snacks from our friends at XLB, as well as non-alcoholic beverages. The collaborative zine will be produced and available after the event for pickup or by snail mail;…
Comments closedDr. Seuss wrote Green Eggs and Ham on a bet—that he couldn’t write an entire book using only 50 words. Here’s another dare: Write about a trek through the desert without using the words “sand,” “cactus,” “water,” “sun,” and “heat.” In this generative workshop, we’ll look at examples by writers, then engage with inventive writing exercises, freeing our own imaginations. Access Program We want our writing classes and Delves to be accessible to everyone, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers writing class and Delve tuition at a reduced rate. The access program for writing classes covers 60% of the class tuition. Most writing classes have at least one access spot…
Comments closedBring a story, essay, nonfiction, hybrid piece – anything you feels is ready to submit. We’ll review how submission works, how to research the literary magazines that might be a good fit for your work, and then, we’ll submit! Liaison position Every in-person class and seminar at Literary Arts has one liaison position. Liaisons perform specific duties for each class meeting. If you are a liaison for a class or seminar, the full amount of your tuition is covered by Literary Arts. Apply here for the liaison position. In-Person Class Note: This class meets in-person at Literary Arts, 925 SW Washington. Literary Arts will require proof of full COVID-19 vaccination, or a negative test result (within 72 hours) from a healthcare provider, for entry into…
Comments closedWorks on Paper: Experiments in Language and Sound presents EVERGREEN EXPERIMENTAL MUSIC ENSEMBLE in a performance of MALEDETTO by KENNETH GABURO Saturday, May 20 7:30 pm (doors open at 7:00) No late entry $10-20 suggested donation; no one turned awayPassages Bookshop 1801 NW Upshur, Suite 660 503-388-7665 ======================================= Works on Paper is excited to present the Evergreen Experimental Music Ensemble in Kenneth Gaburo’s linguistic-musical tour de force Maledetto.============================================ Kenneth Gaburo’s Maledetto, a landmark work of experimental music from the composer’s LINGUA project, exemplifies Gaburo’s practice of Compositional Linguistics (i.e., language as music, and music as language). Arun Chandra, who has led multiple performances of the work over the years and serves as musical director for the Evergreen Experimental Music Ensemble, provides the following analysis:…
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