Drink and Write Tuesdays
Drink and Write Tuesdays
Jeanne Faulkner hosts this drop-in writing workshop on the last Tuesday of every month. Jeanne provides the prompts, tips, and coaching. You bring your computer and notebook.
A resource for the PDX literary community. Produced by Old Pal.
We will be listing and accepting events related to protests, rallies, or activism in response to the SCOTUS ruling overturning Roe v. Wade. You can also find similar events here: https://map.womensmarch.com and here: https://map.wewontgoback.com
We will continue to amplify marginalized voices, and welcome all, their ideas, their events, and their words. Our words here are not enough, but we wanted to say we support you and will continue to do so through our actions. Resources for support and relief funds can be found here and here.
For details regarding specific events please contact the organizers or venues. If you are an organizer or venue and would like to reach out to us please feel free to contact us or submit an event using our submission form. We’d love to hear from you!
Jeanne Faulkner hosts this drop-in writing workshop on the last Tuesday of every month. Jeanne provides the prompts, tips, and coaching. You bring your computer and notebook.
This 4 -week short fiction workshop will focus on generating new work and simply getting words down on a page. We will read excerpts, share just-written work aloud, and sometimes discuss assigned weekly readings together. We will investigate ways to unearth material together and share strategies for maintaining a regular writing practice. Participants will leave will many fragments and several starts for new work. Access Program We want our classes to be accessible to everyone, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers class registrations at a reduced rate. The access program for writing classes covers 60% of the class tuition. Most writing classes have at least one access spot available. Please…
How to handle time can be challenging to master when writing in any genre. When should we slow down and dwell in a scene? When should we summarize and move rapidly through weeks, years, or even decades? Should we go back in time to unpack and understand a character’s motivation? How does the manipulation of time, the unfolding of events, work in a short story, a novel, or in memoir? This workshop will explore how writers bend time to create different narrative effects. We will read work by Tessa Hadley, Rachel Cusk, Sally Rooney, Toni Morrison, John Cheever and others, as well as look at examples from TV shows and films such as Ted Lasso, Atlanta, and The Lost Daughter. After the discussion, we’ll work…
This class, held outdoors at Hoyt Arboretum, will guide you in practicing skills associated with shinrin-yoku, or forest bathing—a gentle, meditative approach to being with nature. The class will include several invitations to explore your senses and your relationship with nature, time for written reflection, and opportunities to share your observations and your writing, if you wish. In each class, you’ll learn approaches to writing and to being with nature that you can use in your everyday life to help promote a sense of relaxation, connection, and wonder. No prior experience with writing is required. All forest bathing and writing prompts may be practiced seated, standing, or walking, depending on your comfort, ability, and interest. Classes will be held rain or shine, so please dress…
Creative nonfiction utilizes non-linear structures to “think” into complex or ambiguous subjects. In this class, we will explore the relationship between form and content in memoir, deepening our practice by working with a draft of a story or essay. Outside reading assignments and in-class writing and revision exercises will encourage experimentation and writing play. We will examine lyrical essays, braided forms and collage pieces. Writing prompts and drafting techniques will allow students to experiment with organization and voice, considering when silence works to make meaning. There will be scene writing and figurative language practice. Students will have an opportunity to discuss and workshop short excerpts of their drafts in an inspired, supportive setting. This class will build upon some of the topics covered in Creative Nonfiction…