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2022 Tin House Summer Workshop Reading Series: Saeed Jones, Nana Kwame Adjei-Brenyah, Paisley Rekdal
July 16 @ 7:30 pm - 9:00 pmFree
We are excited to once again be offering in-person readings as part of our 2022 Summer Workshop programming. Starting at 7:30 pm, these events will take place in Reed College’s Cerf Amphitheater and are free and open to the public. Faculty books will be available for purchase at the Reed Bookstore, with authors signing after the event. Masks are not required in the outdoor amphitheater.
Saeed Jones is the author of the memoir How We Fight for Our Lives, winner of the 2019 Kirkus Prize for Nonfiction, and the poetry collection Prelude to Bruise, winner of the 2015 PEN/Joyce Osterweil Award for Poetry and the 2015 Stonewall Book Award/Barbara Gittings Literature Award. The poetry collection was also a finalist for the 2015 National Book Critics Circle Award, as well as awards from Lambda Literary and the Publishing Triangle in 2015. He lives in Columbus, Ohio. He often fantasizes about having sex with Paul Newman’s ghost.
Nana Kwame Adjei-Brenyah is the New York Times-bestselling author of Friday Black. Originally from Spring Valley, New York, he graduated from SUNY Albany and went on to receive his MFA from Syracuse University. His work has appeared or is forthcoming from numerous publications, including the New York Times Book Review, Esquire, Literary Hub, the Paris Review, Guernica, and Longreads. He was selected by Colson Whitehead as one of the National Book Foundation’s “5 Under 35” honorees, is the winner of the PEN/Jean Stein Book Award, and a finalist for the National Book Critics Circle’s John Leonard Award for Best First Book and the Aspen Words Literary Prize.
Paisley Rekdal is the author of Appropriate: A Provocation, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam; a book of essays, The Night My Mother Met Bruce Lee; the hybrid photo-text memoir, Intimate; and six books of poetry: A Crash of Rhinos; Six Girls Without Pants; The Invention of the Kaleidoscope; Animal Eye, a finalist for the 2013 Kingsley Tufts Prize and winner of the UNT Rilke Prize; Imaginary Vessels, finalist for the 2018 Kingsley Tufts Prize and the Washington State Book Award; and Nightingale, which re-writes many of the myths in Ovid’s The Metamorphoses. Her work has received a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes (2009, 2013), Narrative’s Poetry Prize, the AWP Creative Nonfiction Prize, and various state arts council awards. Her poems and essays have appeared in The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Tin House, the Best American Poetry series (2012, 2013, 2017, 2018, 2019), and on National Public Radio, among others. She is a Distinguished Professor at the University of Utah, where she is also the creator and editor of West: A Translation, as well as the community web projects Mapping Literary Utah and Mapping Salt Lake City. In May 2017, she was named Utah’s Poet Laureate and received a 2019 Academy of American Poets’ Poets Laureate Fellowship.