Contents Under Pressure: Using Constraints to Stretch Your Creativity

for BIPOC writers only

Putting constraints on our writing can feel like a challenge, but sometimes a little pressure is what’s needed to push our writing in a new direction or to find language for what seems unsayable. We’ll draw on Oulipian constraints like the lipogram and the Beatiful Outlaw, as well as visual constraints such as erasures and collage, to radically depart from our typical writing habits. We’ll also invent our own extreme constraints to discover what happens when we challenge ourselves to write our way out of seemingly impossible restrictions.

Access Program
We want our writing classes to be accessible to everyone, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers writing class registrations at a reduced rate. The access program for writing classes covers 60% of the class tuition. Most writing classses have at least one access spot available. Contact Susan Moore at susan@literary-arts.org if you would like to take a writing class at the Access Rate.

Jennifer Perrine is the author of four books of poetry, most recently Again (Airlie Press, 2020). Their other books include No Confession, No Mass, winner of the Publishing Triangle Audre Lorde Award and the Prairie Schooner Book Prize; In the Human Zoo, which was selected for the Agha Shahid Ali Poetry Prize; and The Body Is No Machine. A recipient of fellowships from Literary Arts and the Vermont Studio Center, Perrine lives in Portland.