delve seminar

“Fiction isn’t memory,” writes Jane Gardam, “but memory is fiction.” Autofiction embodies this view, blending truth and fiction to produce stories rooted in the writer’s life, but filtered through the imagination. Virginia Woolf’s To the Lighthouse, Ocean Vuong’s On Earth We’re Briefly Gorgeous, and Saša Stanišić’s Where You Come From are compelling examples of the genre. To the Lighthouse is the story of the Ramsay family’s holiday on the Isle of Skye. On Earth We’re Briefly Gorgeous is composed as a letter from a young man to his mother, immigrants to the US from Vietnam. Through the story of their relationship, Vuong asks questions about race, violence, masculinity, addiction, and love. Bosnian-German writer Saša Stanišić is little known in the US but deserves a wider…

Setting is an important aspect of every story, but sometimes it is so integral as to be almost a character in itself. Susannah Clarke’s Piranesi and Sarah Waters’s The Little Stranger explore the unsettling power of place and its influence on the human mind. Piranesi lives in the House, a fantastical, dreamlike structure where ocean waves surge through infinite vestibules, clouds float and birds fly through halls decorated with statuary, and human remains lie secreted in niches. Alone except for occasional visits from a man he calls the Other, Piranesi records his daily routines and discoveries in his journal, muses on the Other’s quest for “a Great Secret and Knowledge,” and gradually unravels mysteries that threaten to upend his fragile contentment. In The Little Stranger,…