LitPDX seeks to amplify marginalized voices, and welcomes all, their ideas, their events, and their words.

For details regarding specific events please contact the organizers or venues. If you are an organizer or venue and would like to reach out to us please feel free to contact us or submit an event using our submission form. We’d love to hear from you!

Animals with Freeman’s

Online N/A, Portland, OR, United States

Three contributors from the new Freeman’s annual—Tess Gunty (The Rabbit Hutch), Debra Gwartney (I Am a Stranger Here Myself), and Sasha LaPointe (Red Paint)—discuss their work with editor John Freeman. More about Freeman’s: Animals Over a century ago, Rilke went to the Jardin des Plantes in Paris, where he watched a pair of flamingos. A flock of other birds screeched by, and, as he describes in a poem, the great red-pink birds sauntered on, unphased, then “stretched amazed and singly march into the imaginary.” This encounter—so strange, so typical of flamingos, with their fabulous posture—is also still typical of how we interact with animals. Even as our actions threaten their very survival, they are still symbolic, captivating and captive, caught in a drama of our framing This issue of Freeman’s tells…

Free

Haunted: Writing into Death & The Dead with Sonya Lea — begins November 8th

Online N/A, Portland, OR, United States

Haunted: Writing into Death & The Dead Begins November 8th, 2022 Four weekly 2-hour sessions over Zoom on Tuesdays from 5-7PM PST (11/8, 11/15, 11/22, 11/29) “Many people live and die without ever confronting themselves in the darkness. Pray that one day, you will spin around at the water’s edge, lean over, and be able to count yourself among the lucky.” ― Carmen Maria Machado, Her Body and Other Parties “What would you read to someone who was dying? Annie Dillard had asked our class. She wanted this to be the standard for our work. There, at the memorial service for my friend, I thought of another: Dying, what stories would you tell?” ― Alexander Chee, How to Write An Autobiographical Novel: Essays “My grief…

$200 – $400

Pushpins & Portals: Experimenting with Short Forms

Online N/A, Portland, OR, United States

Pushpins & Portals: Experimenting with Short Forms This workshop is virtual, PST Register here Pushpins & Portals: Experimenting with Short Forms In this 6-week class, we will experiment with short form creative writing. Our focus—whether it’s flash fiction, lyric essay, prose poetry, or hybrid—will be on the art of compression. Each week, participants will be given a writing exercise, a short reading, and two workshop submissions from their peers. Class time will include workshop as well as discussion of readings and craft. Our workshop will be guided by observations, questions, and possibilities. We will be thinking less about how to “fix” a piece of writing and more about what we see, our curiosities, and how to recognize hidden opportunities. Each participant will receive feedback from…

$80 – $200

Submission Deadline: Old Pal – Issue 6

Online N/A, Portland, OR, United States

📣 We're open to submissions for Old Pal Issue 6! Visit the link below for more details, and feel free to send any questions our way. We can't wait to see your work! Happy equinox! 🍂🖤 https://www.oldpalmag.com/submissions Old Pal is open for submissions until November 15th, 2022! Read the guidelines below, then send your submission to submissions@oldpalmag.com. Please use a .docx file type for writing, and high resolution images if you're submitting visual art. We publish poetry, fiction, critical non-fiction, excerpts, audio, mixed-media, and various mediums of art. We encourage artists from all experience levels and communities to submit. Contributors are compensated $50 upon publication. We ask that submissions are limited to 15 pages of written work or 6 pieces of other media. Simultaneous submissions…

Free

Pushpins & Portals: Experimenting with Short Forms

Online N/A, Portland, OR, United States

Pushpins & Portals: Experimenting with Short Forms This workshop is virtual, PST Register here Pushpins & Portals: Experimenting with Short Forms In this 6-week class, we will experiment with short form creative writing. Our focus—whether it’s flash fiction, lyric essay, prose poetry, or hybrid—will be on the art of compression. Each week, participants will be given a writing exercise, a short reading, and two workshop submissions from their peers. Class time will include workshop as well as discussion of readings and craft. Our workshop will be guided by observations, questions, and possibilities. We will be thinking less about how to “fix” a piece of writing and more about what we see, our curiosities, and how to recognize hidden opportunities. Each participant will receive feedback from…

$80 – $200

Where We Call Home: Josephine Woolington & Kristin Thiel in Conversation

Literary Arts 925 SW Washington Street, Portland, OR, United States

In partnership with Ooligan Press. Join us in celebration of the launch of Where We Call Home: Lands, Seas, and Skies of the Pacific Northwest, an essay collection by Josephine Woolington. This conversation with Josephine Woolington and Kristin Thiel, coeditor of Fire & Water: Stories from the Anthropocene, will be followed by a Q&A and book signing. You can pre-order Where We Call Home: Lands, Seas, and Skies of the Pacific Northwest here. Josephine Woolington Josephine Woolington is a writer, musician and educator. She previously worked at several newspapers in Oregon, where her work was read by both regional and national audiences via The Associated Press. During her time at The Register-Guard in Eugene, she received an award for best education coverage from the Oregon…

Free

Fall | Sustaining a Writer’s Notebook: A Yearlong Practice w Wendy Willis | Dec 2022 – Dec 2023 | Online

Online N/A, Portland, OR, United States

In this year-long class, we will explore the practice of creating and sustaining a writer’s notebook. Using prompts both in class and between sessions, each participant will develop and strengthen a notebook practice that works for them.  We'll use notebooks to catch the wisps of our lives and our wildest ideas. We will read excerpts of writers' and  other artists' notebooks and consider how a notebook is both an artifact in and of itself and mulch for other art--poem, novel, memoir, essay, painting, pasta sauce. At the end of the year, we'll  have a reading and an opportunity to display pages from our notebooks. Primer Session: December 10, 2022, 9am - 2pm Pacific Time. / 2023 Sessions: First Saturday of every month, 9am -12pm Pacific Time . . .…

$899 – $914

Submission Party

Literary Arts 925 SW Washington Street, Portland, OR, United States

Bring a story, essay, nonfiction, hybrid piece – anything you feels is ready to submit. We’ll review how submission works, how to research the literary magazines that might be a good fit for your work, and then, we’ll submit! Liaison position Every in-person class and seminar at Literary Arts has one liaison position. Liaisons perform specific duties for each class meeting. If you are a liaison for a class or seminar, the full amount of your tuition is covered by Literary Arts. Apply here for the liaison position. In-Person Class Note: This class meets in-person at Literary Arts, 925 SW Washington. Literary Arts will require proof of full COVID-19 vaccination, or a negative test result (within 72 hours) from a healthcare provider, for entry into…

$35

Ledger Editions Vol. 2: Stephanie Adams-Santos, Catie Hannigan, and Jennifer Perrine

IPRC (Independent Publishing Resource Center) 318 SE Main Street #175, Portland, OR, United States

Register in advance here *This event is in-person. Masks + Proof of Vaccination Required. See more about the IPRC’s COVID Policy here. Please join the IPRC for the second installment of our Ledger Editions Readings with readings from Stephanie Adams-Santos, Catie Hannigan, and Jennifer Perrine. This event is made possible with support from the Kinsman Foundation. The work of Stephanie Adams-Santos spans poetry, prose, and screenwriting. Often grappling with themes of strangeness and belonging, her work reflects a fascination with the weird, numinous and primal forces that shape inner life. Stephanie is the author of several full length poetry collections and chapbooks, including DREAM OF XIBALBA (selected by Jericho Brown as winner of the 2021 Orison Poetry Prize) and SWARM QUEEN’S CROWN (finalist for a Lambda Literary Award).…

Free

Six Month Short Story Intensive

Online N/A, Portland, OR, United States

This class is for experienced writers who are dedicated to starting the first draft of a story collection over the course of six months. Participants should have experience writing stories and familiarity with the elements of literary short fiction including scene, character, conflict, place, and revision. We will study individual stories by authors, read craft essays, and discuss several published collections and how the stories unite to form a book. Access Program We want our classes to be accessible to everyone, regardless of income and background. We understand that our tuition structure can present obstacles for some people. Our Access Program offers class registrations at a reduced rate. The access program for writing classes covers 60% of the class tuition. Most writing classes have at…

$1,100