map

This craft intensive is informed by the observational curiosities and imperatives of seasonality and land. This course uses the concept of the map and its inherent limitations as a central metaphor for crafting new work and evoking place. The creation, crossing, and elimination of boundaries of language and narrative will underpin writing prompts and extension activities designed to encourage new work and invigorate the revision process. Writing place has a long history in poetry, but this course will look closely at the ways that worldview shapes, guides, and hinders. Readings will include Cedar Sigo, Camille Dungy, and Megan Bang. Writers will leave this course with a variety of observational strategies and suggestions for future projects and ways of learning from the land. Tin House is…