washington street

Setting is an important aspect of every story, but sometimes it is so integral as to be almost a character in itself. Susannah Clarke’s Piranesi and Sarah Waters’s The Little Stranger explore the unsettling power of place and its influence on the human mind. Piranesi lives in the House, a fantastical, dreamlike structure where ocean waves surge through infinite vestibules, clouds float and birds fly through halls decorated with statuary, and human remains lie secreted in niches. Alone except for occasional visits from a man he calls the Other, Piranesi records his daily routines and discoveries in his journal, muses on the Other’s quest for “a Great Secret and Knowledge,” and gradually unravels mysteries that threaten to upend his fragile contentment. In The Little Stranger,…