VALID: a literary therapy session
Rose City Book Pub 1329 NE Fremont, Portland, OR, United StatesJoin us for VALID :: a literary therapy session. Where your feelings are valid. Come and listen to stories of mental health.
A resource for the PDX literary community. Produced by Old Pal.
LitPDX seeks to amplify marginalized voices, and welcomes all, their ideas, their events, and their words.
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Join us for VALID :: a literary therapy session. Where your feelings are valid. Come and listen to stories of mental health.
In May 1962, Helen Gurley Brown's Sex and the Single Girl sent shockwaves through the United States, selling more than two million copies in three weeks. The future Cosmopolitan Editor-in-Chief’s book promoted the message that a woman’s needs, ambition, and success during her single years could actually take precedence over the search for a husband. While much of Brown’s advice is outdated and even offensive by today’s standards, her central message remains relevant. In their exceptional anthology, Sex and the Single Woman (Harper Perennial), editors Eliza Smith and Haley Swanson bring together insights from many of today’s leading feminist thinkers and writers to pay homage to Brown’s original work and reinterpret it for a new generation. These contributors provide a much-needed reckoning while addressing today’s…
We are sorry to report that this event has been cancelled. When sociologist Nalini Jackson joins the SS Delany for the first manned mission to Jupiter, all she wants is a career opportunity: the chance to conduct the first field study of group dynamics on long-haul cryoships. But what she discovers instead is an entire city encased in a bubble on Europa, one of Jupiter's moons. Even more unexpected, Nalini and the rest of the crew soon find themselves joining its captive population. New Roanoke is a city riven by wealth inequality and governed by a feckless, predatory elite, its economy run on heedless consumption and income inequality. But in other ways it's different from the cities we already know: It’s covered by an enormous…
Questions about applying to this year’s Oregon Literary Fellowships? Join us at this information session! Drop-in anytime between 3:00 – 4:00 p.m. Register in advance for this meeting here. Please contact Susan Moore (susan@literary-arts.org) or Jessica Meza-Torres (jessica@literary-arts.org) if you have any questions.
The Pallbearers Club (William Morrow) is a cleverly voiced psychological thriller about an unforgettable — and unsettling — friendship, with blood-chilling twists, crackling wit, and a thrumming pulse in its veins — from Paul Tremblay, author of The Cabin at the End of the World and Survivor Song. What if the coolest girl you've ever met decided to be your friend? Art Barbara was so not cool. He was a 17-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers Club was cool. And she brought along her Polaroid camera to take…
Guided by acclaimed poet Matthew Dickman’s signature “clarity and ability to engage” (David Kirby, New York Times), Husbandry (W. W. Norton) is a love song from a father to his children. Written after a separation and during overwhelming single-fatherhood in the early days of COVID-19 lockdowns, Husbandry refuses romantic notions of parenting and embraces all its mess, anguish, humor, fear, boredom, and warmth. Dickman composes these poems entirely in vivid couplets that animate the various domestic pairs of broken-up parents, two sons, love and grief. He explores the terrain of his children’s dreams and nightmares, the almost primal fears that spill into his own, and the residual impacts of his parents’ failures. Threading his anxieties with bright moments of beauty and gratitude, the volume delights…
From an author whose writing has been praised as “blistering” (The New Yorker), “virtuosic” (The Washington Post), and “brilliant” (The New York Times) comes a provocative and entertaining novel about a woman who desperately wants a child but struggles to accept the use of assisted reproductive technology — a hilarious and ferocious send-up of feminism, fame, art, commerce, and autonomy. On the eve of her fourth album, singer-songwriter Aviva Rosner is plagued by infertility. The twist: as much as Aviva wants a child, she is wary of technological conception, and has poured her ambivalence into her music. As the album makes its way in the world, the shock of the response from fans and critics is at first exciting — and then invasive and strange.…
Portfolio Program Info Session July 14th, 7-8pm Register here Join IPRC Staff and Portfolio Program Core Instructors for a virtual info session. We’ll talk about Program Curriculum, Outcomes & Expectations, as well as key dates to keep in mind. We’ll have examples of print projects, and will leave time for a Q&A. More about the 2022 / 2023 program here, and application here.
As modern life and literature focus more on material gains and marshall conflicts, the work of Ursula K. Le Guin stands out for her commitment to depicting pacifism and environmentalism in her speculative fiction. Join Becky Chambers (A Prayer for the Crown-Shy), Juhea Kim (Beasts of a Little Land), and Michelle Ruiz Keil (Summer in the City of Roses, All of Us With Wings) for a discussion moderated by Theo Downes-Le Guin about Ursula K. Le Guin’s literary legacy–and the authors who are carrying it forward today.
Meng Jin’s debut novel, Little Gods, was praised as “spectacular and emotionally polyphonic" (Omar El-Akkad) and “meticulously observed, daringly imagined” (Claire Messud). Now Jin turns her considerable talents to short fiction, in ten thematically linked stories. Written during the turbulent years of the Trump administration and the first year of the pandemic, these stories explore intimacy and isolation, coming-of-age and coming to terms with the repercussions of past mistakes, fraying relationships, and surprising moments of connection. Moving between San Francisco and China, and from unsparing realism to genre-bending delight, Self-Portrait with Ghost (Mariner) considers what it means to live in an age of heightened self-consciousness, seemingly endless access to knowledge, and little actual power. Gods of Want (One World) features stories that center the bodies,…