LitPDX seeks to amplify marginalized voices, and welcomes all, their ideas, their events, and their words.

For details regarding specific events please contact the organizers or venues. If you are an organizer or venue and would like to reach out to us please feel free to contact us or submit an event using our submission form. We’d love to hear from you!

Delve Readers Seminar: An Intensive Study of Totality: Jorge Luis Borges

Literary Arts 925 SW Washington Street, Portland, OR, United States

The Argentine genius Jorge Luis Borges explored every facet of the word during his lifetime of writing. From sonnets about dream tigers to stories about detectives in Buenos Aires to essays on the collapse of time, Borges oeuvre reads as if limitless, always imbuing the reader with a sense of total expansion. This seminar will draw from his Collected Fictions, Selected Poems, Selected Non-fiction in an attempt to construct (& deconstruct) the scope of one of the most boundless authors of the 20th century. Texts: Collected Fictions by Jorge Luis Borges Selected Poems by Jorge Luis Borges Selected Non-fictions by Jorge Luis Borges Access Program We want our classes to be accessible to everyone, regardless of income and background. We understand that our tuition structure…

$245

Oregon Humanities Live

Rontoms 600 East Burnside Street, Portland, OR, United States

Join the editors of Oregon Humanities magazine for an evening of readings by recent magazine contributors. We'll hear essays and poems by Sallie Tisdale, Daniela Molnar, Paul Susi, and Laura Gibson. The event is copresented with Literary Arts as part of the Cover to Cover series and sponsored by Lyceum Agency. No RSVP is required.

Free

Pushpins & Portals: Experimenting with Short Forms

Online N/A, Portland, OR, United States

Pushpins & Portals: Experimenting with Short Forms This workshop is virtual, PST Register here Pushpins & Portals: Experimenting with Short Forms In this 6-week class, we will experiment with short form creative writing. Our focus—whether it’s flash fiction, lyric essay, prose poetry, or hybrid—will be on the art of compression. Each week, participants will be given a writing exercise, a short reading, and two workshop submissions from their peers. Class time will include workshop as well as discussion of readings and craft. Our workshop will be guided by observations, questions, and possibilities. We will be thinking less about how to “fix” a piece of writing and more about what we see, our curiosities, and how to recognize hidden opportunities. Each participant will receive feedback from…

$80 – $200

Life Story: Jon Mooallem & Casey Parks

Online N/A, Portland, OR, United States

Narrative journalism at its very best, with acclaimed essayist Jon Mooallem and award-winning journalist Casey Parks. Moderated by Melissa Febos, author of Body Work: The Radical Power of Personal Narrative. Jon Mooallem’s powers of perception have established him as one of the most distinctive, empathic, and clear-sighted narrative journalists working today. The Wall Street Journal has called his writing “as much art as it is journalism,” and Jia Tolentino has praised his “grace and command.” In Serious Face, Mooallem brings to life the desperate hopes and urgent fears of the people he meets, telling their stories with empathy, humor, insight, and kindness. These elegant, moving essays form an idiosyncratic tapestry of human experience: our audacity and fallibility, our bumbling and goodwill. In moments of calamity and within the extreme…

Free

Animals with Freeman’s

Online N/A, Portland, OR, United States

Three contributors from the new Freeman’s annual—Tess Gunty (The Rabbit Hutch), Debra Gwartney (I Am a Stranger Here Myself), and Sasha LaPointe (Red Paint)—discuss their work with editor John Freeman. More about Freeman’s: Animals Over a century ago, Rilke went to the Jardin des Plantes in Paris, where he watched a pair of flamingos. A flock of other birds screeched by, and, as he describes in a poem, the great red-pink birds sauntered on, unphased, then “stretched amazed and singly march into the imaginary.” This encounter—so strange, so typical of flamingos, with their fabulous posture—is also still typical of how we interact with animals. Even as our actions threaten their very survival, they are still symbolic, captivating and captive, caught in a drama of our framing This issue of Freeman’s tells…

Free

Haunted: Writing into Death & The Dead with Sonya Lea — begins November 8th

Online N/A, Portland, OR, United States

Haunted: Writing into Death & The Dead Begins November 8th, 2022 Four weekly 2-hour sessions over Zoom on Tuesdays from 5-7PM PST (11/8, 11/15, 11/22, 11/29) “Many people live and die without ever confronting themselves in the darkness. Pray that one day, you will spin around at the water’s edge, lean over, and be able to count yourself among the lucky.” ― Carmen Maria Machado, Her Body and Other Parties “What would you read to someone who was dying? Annie Dillard had asked our class. She wanted this to be the standard for our work. There, at the memorial service for my friend, I thought of another: Dying, what stories would you tell?” ― Alexander Chee, How to Write An Autobiographical Novel: Essays “My grief…

$200 – $400

Pushpins & Portals: Experimenting with Short Forms

Online N/A, Portland, OR, United States

Pushpins & Portals: Experimenting with Short Forms This workshop is virtual, PST Register here Pushpins & Portals: Experimenting with Short Forms In this 6-week class, we will experiment with short form creative writing. Our focus—whether it’s flash fiction, lyric essay, prose poetry, or hybrid—will be on the art of compression. Each week, participants will be given a writing exercise, a short reading, and two workshop submissions from their peers. Class time will include workshop as well as discussion of readings and craft. Our workshop will be guided by observations, questions, and possibilities. We will be thinking less about how to “fix” a piece of writing and more about what we see, our curiosities, and how to recognize hidden opportunities. Each participant will receive feedback from…

$80 – $200

Submission Deadline: Old Pal – Issue 6

Online N/A, Portland, OR, United States

📣 We're open to submissions for Old Pal Issue 6! Visit the link below for more details, and feel free to send any questions our way. We can't wait to see your work! Happy equinox! 🍂🖤 https://www.oldpalmag.com/submissions Old Pal is open for submissions until November 15th, 2022! Read the guidelines below, then send your submission to submissions@oldpalmag.com. Please use a .docx file type for writing, and high resolution images if you're submitting visual art. We publish poetry, fiction, critical non-fiction, excerpts, audio, mixed-media, and various mediums of art. We encourage artists from all experience levels and communities to submit. Contributors are compensated $50 upon publication. We ask that submissions are limited to 15 pages of written work or 6 pieces of other media. Simultaneous submissions…

Free

Pushpins & Portals: Experimenting with Short Forms

Online N/A, Portland, OR, United States

Pushpins & Portals: Experimenting with Short Forms This workshop is virtual, PST Register here Pushpins & Portals: Experimenting with Short Forms In this 6-week class, we will experiment with short form creative writing. Our focus—whether it’s flash fiction, lyric essay, prose poetry, or hybrid—will be on the art of compression. Each week, participants will be given a writing exercise, a short reading, and two workshop submissions from their peers. Class time will include workshop as well as discussion of readings and craft. Our workshop will be guided by observations, questions, and possibilities. We will be thinking less about how to “fix” a piece of writing and more about what we see, our curiosities, and how to recognize hidden opportunities. Each participant will receive feedback from…

$80 – $200

Submission Deadline: Deep Overstock: Issue 19: Hacking

Online N/A, Portland, OR, United States

Submissions for Issue 19: Hacking are now open. Submit your piece(s) by November 30, 2022. The color of the cover will be Gray. General Guidelines We publish fiction, poetry, comics, art, images, medical reports, plays, essays, philosophies, sculptures, sounds, mushroom dataset analyses, magic spells, fairy tales, folklore, riddles, jokes, horoscopes, death-predictions, and more. Surprise us! We have open submissions on a rolling basis. *Winter Issue: Open September 1st through November 30th. Release: January. Spring Issue: Open December 1st through February 28th. Release: April. Summer Issue: Open March 1st through May 31st. Release: July. Fall Issue: Open June 1st through August 31st. Release: October. Simultaneous submissions are fine, but let us know if the piece gets accepted elsewhere. We do not accept previously published works. Include…

Free