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Write A Book: Fiction & Creative Nonfiction Workshop

Online N/A, Portland, OR, United States

Write A Book: Fiction & Creative Nonfiction IPRC Creative Workshops for Fall 2020 will be held online via zoom, PST. *Waitlist Instructor: Michael Heald Wednesdays, 6:30 – 8:30 Nine students maximum (ages 18+) Class meetings: 24 (8 per term) Cost: $825 *2 spots available at sliding scale, BIPOC prioritized; email hquinn@iprc.org *2 spots available at no cost, BIPOC prioritized; email hquinn@iprc.org October 7, 2020 – June 9, 2021 This workshop will consist of three eight-week terms. Writers currently working on memoirs, essay collections, novellas, novels, short story llections, oral histories, and long-form journalism are all strongly encouraged to apply. Hybrid forms welcome. Over the course of 24 sessions, writers will work towards a draft of a manuscript in a supportive workshop environment. We’ll explore non-linear…

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$825

Craft Conversations: Character

Online N/A, Portland, OR, United States

If you are interested in taking a dive into how to make full, complicated, compelling characters in your work, if you want your reader to be thinking about your people (even if that character is you) long after they finish your novel, story, or memoir, if you want to deeply engage your reader, you must develop characters that drive the story, that matter to the reader, that we can root for, that rise up off the page. For this conversation I’ll bring, readings, handouts, exercises and practical ideas. We will look at protagonists, as well as at secondary characters and the important jobs they have in making a story come to life. Access Program We want our writing classes to be accessible to everyone, regardless…

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$75

Drop-in Writing Workshops for BIPOC Writers with Anya Pearson

Online N/A, Portland, OR, United States

These online workshops for BIPOC writers are designed to help you generate new material, refine an existing draft, or simply discover the permission to call yourself a writer. We will gather on Zoom on the first Sunday of each month (March-June) and hold space for each other, creating an online community with other BIPOC writers. Think of this as a playpen and creative incubator to support you as you generate writing and navigate building a creative practice and life in the arts. We will write together using specific prompts. We’ll bounce ideas off each other, share our work in progress, and hold space for the fullness of who we are. Offered in partnership with Corporeal Writing. Anya’s goal in creating this space in partnership with Corporeal…

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$5 – $30

Persistence: What It Takes to Publish a Book, featuring Ellen Michaelson, Joanna Rose, and Suzy Vitello

Online N/A, Portland, OR, United States

We are thrilled to present (virtually) on Monday, June 7th, at 5 PM PST a multi-author reading and in-conversation with local Portland authors Ellen Michaelson, Joanna Rose, and Suzy Vitello discussing the topic “Persistence: What it Takes to Publish a Book.” Each of these authors had rather long and winding paths toward the publication of their novels. They also were all students of Tom Spanbauer in his original Dangerous Writing group. This event is free but does require preregistration at this link: https://us02web.zoom.us/webinar/register/WN_K44ozcbDS1ysmlmXQ1KJhA Ellen Michaelson is a physician in Portland and an MFA graduate from Pacific University. Currently an assistant professor of Medicine at OHSU and vice president of the board of the NW Narrative Medicine Collaborative, she was an NEH Fellow in Medical Humanities…

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Free

Unlikeable on Purpose—A Three-Hour Webgasm w/ Lidia Yuknavitch

Online N/A, Portland, OR, United States

WHAT: A three-hour online webgasm with Lidia Yuknavitch and at least one special guest. (With a 15-minute intermission.) WHEN: Saturday, June 26th 1PM-4PM Pacific (4PM-7PM Eastern) WHERE: ZOOM. Meeting ID will be provided ahead of time. (Interested in this event but unable to join it live? All registered attendees will receive a link to a recording of it that will be viewable for one week afterwards.) HOW MUCH: $150. Payment plans are available, contact Daniel Elder at registration@corporealwriting.com SCHOLARSHIPS: Scholarships are always available. Click here to apply. (Note: This offering is available as part of a three-webinar bundle along with Beyond The What: The Heart and Guts of Memoir and Revivify: Breathing Life into Dead Matter. Each webinar is $150, but you can sign up…

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$150

BOOKLOVER’S BURLESQUE: To Tease Or Not To Tease (VirtualShakespeareEdition)

Online N/A, Portland, OR, United States

HUZZAH! 'Tis time for The Bard and Burlesque to marry as Lacy Productions presents... BOOKLOVER'S BURLESQUE: To Tease Or Not To Tease (Our brand new Virtual Shakespeare Edition) Saturday, June 26th, 2021 Livestream at 7pm PDT on Crowdcast $15 GA & $25 VIP TICKETS NOW AVAILABLE ! (A Crowdcast link to our livestream will be emailed to all ticketholders by 3pm- or later if purchased afterward- on the day of the show. Tickets will be available up until showtime.) General Admission: $15 VIP Admission: $25 (includes an exclusive invitation to a Zoom VIP Meet & Greet directly after the show and a special thank you during the show. The Zoom VIP Meet & Greet link will also be emailed beforehand.) ** If you would like…

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$15 – $25

2021 Tin House Summer Workshop Conversation Series: Asali Solomon and Danielle Evans

Online N/A, Portland, OR, United States

#thsw public conversation series continues with Danielle Evans and Asali Solomon discussing the narrative structure of writing friendship, the relationship between friendship and characterization, and the nuances of writing Black women’s friendships. 2 pm PST with ASL interpretation.

Free

Craft Conversations: Dialogue

Online N/A, Portland, OR, United States

Dialogue, as much as anything else, reveals the character to the writer and, ultimately to the reader. I don’t have a very clear idea of who the characters are until they start talking. ~ Joan Didion Sometimes, when I’m lucky, a line of dialogue, either something I’ve dreamed up or overheard, will spark a story. Because dialogue is so revealing it can be an entrance point, a moment when a character speaking, reveals themself on the page. Because dialogue is the only time the reader directly hears from the characters without the filter of the narrator, the spoken words become a measure for the heart and mind of the characters. What do they want? What are they trying to gain or conceal? How is dialog…

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$75
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